Art of the Dog: Dawn Secord: Boston Terriers

Friday, September 26, 2008

Boston Terriers

This painting is of two Boston Terriers, Ruby and Slugger. Originally, the portrait was to be solely of Ruby who had recently passed away due to her senior age. A matter of months later Slugger, another senior, passed away as well. Their owner contacted me to give me the devastating news and asked if we could put both dogs in the painting.

His favorite photo of Ruby showed her in a canoe. Once Slugger was to be added to the portrait I asked if the recipient of the portrait ( the portrait was a gift as a 5oth birthday present for one sibling from his other siblings ) if he would like me to paint the dogs in the canoe as the photo showed. He did!

In the reference photo the shore line was above the top of the canoe. I dropped the shoreline below the top of the canoe so that I could get the shoreline in the composition while keeping the poses of the dogs as large as possible. The canoe was also narrowed down a bit in the painting to allow more room for the surrounding landscape.

Ruby and Slugger - in your honor - this painting was done with love.

To view more of my artwork please go to my website at http://www.dawnsecord.com/

Dawn Secord

Specializing in animal portraits

Blog:

http://www.artofthedog.blogspot.com/

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Pastel Painting in Progress - French Bulldog

Here is a painting in progress. The pastel paintings are done very much in the same way an oil painting is done. I start with a base color. Usually I work with a precolored surface. With oil painting I would lay in a foundation color so the white canvas wouldn't show through. So this is the same basis. Since I am right handed I work from left to right unless it is a landscape or still life in which case the entire surface is worked uniformly. With pet portraits, so I don't damage an area that is completed, the surface is worked from left to right. While working an area of the subject I lay in mid tone values first - then work light to dark. With pastels an artist can "fill the tooth" of the surface so it is important not to over work any areas. Once the entire subject is painted I go back and reinforce the lightest lights and darkest darks. My greatest area of interest is the eyes. If the eyes aren't right the entire painting will look odd. If the painting is about a sleeping animal it is important to convey the comfort of the animal.

Oil Painting in Process

The following pictures show an Oil Painting in process. The first images show my beginning sketch. I use a common pencil, ruler and an eraser. Once the beginning sketch is satisfactory the sketch is secured with a layer of black oil paint. When the first layer is dried I apply a base color over the entire canvas. I love working on a burnt sienna foundation. There are paintings where I start just working directly on the white canvas and there is no base layer or foundation. It really depends on the painting. From the base foundation I start layering colors. It is a slow process due to drying time. This is where it really becomes fun. I should really make a recording of my husband saying, "You're done - stop messing with it!" Thanks for taking a peek. This painting is of a cat named Lynxy!