Art of the Dog: Dawn Secord: "Show Dogs Escape to the Seashore" by Marsha Hall Brown

Wednesday, March 26, 2014

"Show Dogs Escape to the Seashore" by Marsha Hall Brown

For those who know me well, you know I've been creating illustrations for a childrens' book written by AKC judge and dog writer, Marsha Hall Brown.

The book is finished and is in the editing / copyright stages.

Here is a fun teaser line....

The dogs in the ring and the dogs in the gallery cry out in dismay, hoping to stop the imposter by alerting the attention of the show officials. Who is this intruder? Who ruined the show?

I can't wait to share the illustrations with you. It has been such a fun experience and I've found a love for illustrating that I didn't expect. There is a whole new element of creativity that has been found in my journey as an artist.

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Pastel Painting in Progress - French Bulldog

Here is a painting in progress. The pastel paintings are done very much in the same way an oil painting is done. I start with a base color. Usually I work with a precolored surface. With oil painting I would lay in a foundation color so the white canvas wouldn't show through. So this is the same basis. Since I am right handed I work from left to right unless it is a landscape or still life in which case the entire surface is worked uniformly. With pet portraits, so I don't damage an area that is completed, the surface is worked from left to right. While working an area of the subject I lay in mid tone values first - then work light to dark. With pastels an artist can "fill the tooth" of the surface so it is important not to over work any areas. Once the entire subject is painted I go back and reinforce the lightest lights and darkest darks. My greatest area of interest is the eyes. If the eyes aren't right the entire painting will look odd. If the painting is about a sleeping animal it is important to convey the comfort of the animal.

Oil Painting in Process

The following pictures show an Oil Painting in process. The first images show my beginning sketch. I use a common pencil, ruler and an eraser. Once the beginning sketch is satisfactory the sketch is secured with a layer of black oil paint. When the first layer is dried I apply a base color over the entire canvas. I love working on a burnt sienna foundation. There are paintings where I start just working directly on the white canvas and there is no base layer or foundation. It really depends on the painting. From the base foundation I start layering colors. It is a slow process due to drying time. This is where it really becomes fun. I should really make a recording of my husband saying, "You're done - stop messing with it!" Thanks for taking a peek. This painting is of a cat named Lynxy!