Art of the Dog: Dawn Secord: Jesse - Pastel Painting of an Irish Setter

Monday, July 8, 2013

Jesse - Pastel Painting of an Irish Setter

This is Jesse. Sadly, she is no longer with us. Her painting was created from photos that had been taken some years ago. Her owners and I were going to be at the same dog show, so we decided to go over photos together. As I was turning the pages in their small album of snapshots, the page viewing came to an abrupt stop. The photo for the painting was looking back at me. The position of the dog was perfect and the lighting was strong. The background was not so ideal, but that would be an easy change!

The reference photo is simply a road map to keep my on track to capturing the essence of a specific subject As an artist, I must know when to reduce or increase highlights and shadows. Quite a lot of that happened with this painting. The photo's strong lightening was much too bright and needed to be subdued. The eyes were too shadowed and needed added highlights.

Jesse use to live in the Pacific Northwest. Years ago, when traveling in that area, I'd taken "rolls" film (is that dating my travels or what!). Therefore, I had perfect reference material for the painting. At the completion of the painting, we were all thrilled. Jesse's painting is absolutely Jesse.

No comments:

Post a Comment

Pastel Painting in Progress - French Bulldog

Here is a painting in progress. The pastel paintings are done very much in the same way an oil painting is done. I start with a base color. Usually I work with a precolored surface. With oil painting I would lay in a foundation color so the white canvas wouldn't show through. So this is the same basis. Since I am right handed I work from left to right unless it is a landscape or still life in which case the entire surface is worked uniformly. With pet portraits, so I don't damage an area that is completed, the surface is worked from left to right. While working an area of the subject I lay in mid tone values first - then work light to dark. With pastels an artist can "fill the tooth" of the surface so it is important not to over work any areas. Once the entire subject is painted I go back and reinforce the lightest lights and darkest darks. My greatest area of interest is the eyes. If the eyes aren't right the entire painting will look odd. If the painting is about a sleeping animal it is important to convey the comfort of the animal.

Oil Painting in Process

The following pictures show an Oil Painting in process. The first images show my beginning sketch. I use a common pencil, ruler and an eraser. Once the beginning sketch is satisfactory the sketch is secured with a layer of black oil paint. When the first layer is dried I apply a base color over the entire canvas. I love working on a burnt sienna foundation. There are paintings where I start just working directly on the white canvas and there is no base layer or foundation. It really depends on the painting. From the base foundation I start layering colors. It is a slow process due to drying time. This is where it really becomes fun. I should really make a recording of my husband saying, "You're done - stop messing with it!" Thanks for taking a peek. This painting is of a cat named Lynxy!