Art of the Dog: Dawn Secord: Irish Setter Pastel Painting

Friday, September 30, 2011

Irish Setter Pastel Painting

This is an original pastel painting of Autumn, Ch. Summit Rise Thyme in a Bottle, CD.

Autumn's owners had sent a number of photos of Autumn for the portrait. There just wasn't the perfect photo. Then, all of a sudden, there were two photos that were just great. The perspectives were correct, the expression of the dog was soft, there were some nice highlights and shadows, the reference material was ideal. We all agreed which photo would be the primary reference pose and the painting was started. In the two photos shown above, the photos were taken in such a way that I couldn't see the length of Autumn's ears. Fortunately, there were other reference photos that gave me the details that were missing from the primary photos.

I've added some green highlights through out the portrait ( such as in the coat, the nose, the eyes and eye lids) to create a color harmony with the background. I always emphasis to my collectors, it is important to realize my goal is not to simply copy a photo. That would be too easy. My goal is to create an original painting based on the likeness of a given animal. I make changes in lights, in darks, in detail around the facial features such as the eyes, nose and mouth. Part of Autumn's bottom lip showed in the reference photo. That was not needed in the painting. There are a number of reflections in both eyes that are not in the photos. There are colors in the nose that are not in the photos. Photos are simply a road map to keep me on track so my paintings capture the likeness of a specific subject. The creativity starts with the photo but ends with my imagination.

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Pastel Painting in Progress - French Bulldog

Here is a painting in progress. The pastel paintings are done very much in the same way an oil painting is done. I start with a base color. Usually I work with a precolored surface. With oil painting I would lay in a foundation color so the white canvas wouldn't show through. So this is the same basis. Since I am right handed I work from left to right unless it is a landscape or still life in which case the entire surface is worked uniformly. With pet portraits, so I don't damage an area that is completed, the surface is worked from left to right. While working an area of the subject I lay in mid tone values first - then work light to dark. With pastels an artist can "fill the tooth" of the surface so it is important not to over work any areas. Once the entire subject is painted I go back and reinforce the lightest lights and darkest darks. My greatest area of interest is the eyes. If the eyes aren't right the entire painting will look odd. If the painting is about a sleeping animal it is important to convey the comfort of the animal.

Oil Painting in Process

The following pictures show an Oil Painting in process. The first images show my beginning sketch. I use a common pencil, ruler and an eraser. Once the beginning sketch is satisfactory the sketch is secured with a layer of black oil paint. When the first layer is dried I apply a base color over the entire canvas. I love working on a burnt sienna foundation. There are paintings where I start just working directly on the white canvas and there is no base layer or foundation. It really depends on the painting. From the base foundation I start layering colors. It is a slow process due to drying time. This is where it really becomes fun. I should really make a recording of my husband saying, "You're done - stop messing with it!" Thanks for taking a peek. This painting is of a cat named Lynxy!