Art of the Dog: Dawn Secord: Tuxedo Kittens in Oil

Monday, December 13, 2010

Tuxedo Kittens in Oil

This larger than life painting of two tuxedo kittens was done in oil. It is another piece for the corporate commission that I am working on.

The painting is three feet wide by two feet tall. A number of photos of the two kittens were supplied by the collector. One kitten has a narrower face as in a Siamese and the other kitten has a round face. The markings are very close so I relied on the face shape to assist me in keeping track of which kitten was in each photo. Ultimately, I chose two poses that were from two different photos.

My initial sketch was in pencil. If you notice the eyes on the sketch and look at the final painting - there was some adjustment done to the eye shape during the painting process. I sometimes flip my paintings upside down during the process to double check details. It was during one of these "upside down" times that I noticed the eye shape was not what I wanted it to be. One nice thing about painting in oil is the ability to change just about anything during the course of the painting. Pastels are not quite so user friendly!

Thanks for taking a peek at the kittens!

It was a lot of fun to paint.

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Pastel Painting in Progress - French Bulldog

Here is a painting in progress. The pastel paintings are done very much in the same way an oil painting is done. I start with a base color. Usually I work with a precolored surface. With oil painting I would lay in a foundation color so the white canvas wouldn't show through. So this is the same basis. Since I am right handed I work from left to right unless it is a landscape or still life in which case the entire surface is worked uniformly. With pet portraits, so I don't damage an area that is completed, the surface is worked from left to right. While working an area of the subject I lay in mid tone values first - then work light to dark. With pastels an artist can "fill the tooth" of the surface so it is important not to over work any areas. Once the entire subject is painted I go back and reinforce the lightest lights and darkest darks. My greatest area of interest is the eyes. If the eyes aren't right the entire painting will look odd. If the painting is about a sleeping animal it is important to convey the comfort of the animal.

Oil Painting in Process

The following pictures show an Oil Painting in process. The first images show my beginning sketch. I use a common pencil, ruler and an eraser. Once the beginning sketch is satisfactory the sketch is secured with a layer of black oil paint. When the first layer is dried I apply a base color over the entire canvas. I love working on a burnt sienna foundation. There are paintings where I start just working directly on the white canvas and there is no base layer or foundation. It really depends on the painting. From the base foundation I start layering colors. It is a slow process due to drying time. This is where it really becomes fun. I should really make a recording of my husband saying, "You're done - stop messing with it!" Thanks for taking a peek. This painting is of a cat named Lynxy!