Art of the Dog: Dawn Secord: Sweetn'in

Thursday, May 1, 2008

Sweetn'in - Irish Setter

Sweet'nin "CH. Scarlly's Sweet Success" was painted from a black and white photo. She had been a very important girl in the breeding program for Scarlly Setters. Over the years - and moves from one home to another - the orginal photo had been misplaced and all that was available of this pose was the black and white photo. Fortunately there were other photos of Sweet'nin that were instrumental in capturing her true colors. The painting will be shipped to Georgia in the next few days. It will be sad not to have it in my studio any longer.

My paintings are all a part of me and as much as I want them to go to the people who commissioned them a part of me doesn't want to let them go.

1 comment:

Michele Magic said...: I was the owner of Scarlly's Sweet Success's great-great granddaughter, Vogue Setter's Christmas Angel, out of Kenner, La. Sadly, "Jessica, Too" as I renamed her, died in 2000, but I am currently in search of another pup or young Irish, so wish me luck. It was very nice to see what her great-great grandmother looked like. Nice job!; December 18, 2008 at 6:51 PM

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Pastel Painting in Progress - French Bulldog

Here is a painting in progress. The pastel paintings are done very much in the same way an oil painting is done. I start with a base color. Usually I work with a precolored surface. With oil painting I would lay in a foundation color so the white canvas wouldn't show through. So this is the same basis. Since I am right handed I work from left to right unless it is a landscape or still life in which case the entire surface is worked uniformly. With pet portraits, so I don't damage an area that is completed, the surface is worked from left to right. While working an area of the subject I lay in mid tone values first - then work light to dark. With pastels an artist can "fill the tooth" of the surface so it is important not to over work any areas. Once the entire subject is painted I go back and reinforce the lightest lights and darkest darks. My greatest area of interest is the eyes. If the eyes aren't right the entire painting will look odd. If the painting is about a sleeping animal it is important to convey the comfort of the animal.

Oil Painting in Process

The following pictures show an Oil Painting in process. The first images show my beginning sketch. I use a common pencil, ruler and an eraser. Once the beginning sketch is satisfactory the sketch is secured with a layer of black oil paint. When the first layer is dried I apply a base color over the entire canvas. I love working on a burnt sienna foundation. There are paintings where I start just working directly on the white canvas and there is no base layer or foundation. It really depends on the painting. From the base foundation I start layering colors. It is a slow process due to drying time. This is where it really becomes fun. I should really make a recording of my husband saying, "You're done - stop messing with it!" Thanks for taking a peek. This painting is of a cat named Lynxy!