Art of the Dog: Dawn Secord: 2026

Sunday, February 1, 2026

Jameson the Irish Setter

Years ago I painted a dog named Reilly. It was an amazing painting. One of the greatest honors is when an art collector returns to me to paint for them again. Reilly’s owner, Marsha, has another Irish Setter, Jameson, and I was able to meet him and photograph him for his painting. I fell in love with him immediately – cooperative for the photos and a true sweetheart full of personality.

Jameson’s official name is Kilkieran's Like Father Like Son. Jameson is Marsha's first exposure in the world of dog shows. This picture is taken from Jameson's first national specialty in Virginia Beach, Virginia.

Reference photo of Jameson. He was so precious laying on the floor looking up at Marsha. How could she not choose this photo to use as our primary reference photo for his painting!

Thank you Marsha for having me paint your precious baby boy.

Saturday, January 17, 2026

Bling's on the Trail of a Fluffy Puffy Tail - children's picture book

My next children's picture book should be here any day!

In this second book, Bling (our main character) sees a fluffy tail outside and just HAS to find out what it is. She embarks on a journey to find that tail. The book shows children to set goals and perseverance as they accomplish those goals. When Bling finally finds the tail, she finds a little critter that is in need of help. Rescuing the little one gives children a glimpse into empathy and helping those in need.

For more information on this new children's picture book, go to the book's website at ADOGBLING.COM

Pastel Painting in Progress - French Bulldog

Here is a painting in progress. The pastel paintings are done very much in the same way an oil painting is done. I start with a base color. Usually I work with a precolored surface. With oil painting I would lay in a foundation color so the white canvas wouldn't show through. So this is the same basis. Since I am right handed I work from left to right unless it is a landscape or still life in which case the entire surface is worked uniformly. With pet portraits, so I don't damage an area that is completed, the surface is worked from left to right. While working an area of the subject I lay in mid tone values first - then work light to dark. With pastels an artist can "fill the tooth" of the surface so it is important not to over work any areas. Once the entire subject is painted I go back and reinforce the lightest lights and darkest darks. My greatest area of interest is the eyes. If the eyes aren't right the entire painting will look odd. If the painting is about a sleeping animal it is important to convey the comfort of the animal.

Oil Painting in Process

The following pictures show an Oil Painting in process. The first images show my beginning sketch. I use a common pencil, ruler and an eraser. Once the beginning sketch is satisfactory the sketch is secured with a layer of black oil paint. When the first layer is dried I apply a base color over the entire canvas. I love working on a burnt sienna foundation. There are paintings where I start just working directly on the white canvas and there is no base layer or foundation. It really depends on the painting. From the base foundation I start layering colors. It is a slow process due to drying time. This is where it really becomes fun. I should really make a recording of my husband saying, "You're done - stop messing with it!" Thanks for taking a peek. This painting is of a cat named Lynxy!